Hissing Tiles are a three-piece post-punk / noise rock band from Cincinnati, OH. Hissing Tiles' emphasis on texture, experimentation and content make them a perfect Whited Sepulchre artist.
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Forest Management is Chicago’s John Daniel, creating ambient sounds and droning textures that constantly move forward. Daniel’s advancements sometimes take the form of big, dramatic arcs or small, microtonal shifts.
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This collaborative work by Ohio-based High aura'd and Florida-bound Josh Mason is a tribute to youthful obsessions and glorious decay.
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John Atkinson is an Australian-based musician whose work focuses on marrying ambient music and field recordings. Formerly of the Brooklyn band Aa, John also works as a film soundtrack composer.
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Sabriels orb is the latest musical project by Willow Sky-Biggs. Her newest moniker allows her to explore bedroom minimal techno with beatific ambient washes and longform drone.
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Wayne Robert Thomas is an Indianapolis-based artist whose compositions refract infinitely; bending time in those endless Midwestern golden hours.
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Cincinnati based Brianna Kelly crafts songs that attach themselves to a fleeting connection with the unseen world while rooting itself in a very real topography and landscape.
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Sympathy Pain is Skyler Hitchcox and Casey Hansen (of Cult Leader). Together they create drone-laden slowcore that trembles under a heavy weight.
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Midwife creates anthems of dislocation and loss under the weight of reverb buried power chords and swelling choruses. Madeline Johnston’s work is a powerful statement of purpose and loss.
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For the past decade has documented Planning for Burial's emotionally shaky, but strongly built, journey between noise-laden metal, wall-of-noise shoegaze and world-beaten slowcore.
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ant'lrd is a Portland-based musician who uses synthesizers to explore the intersection of drone, beat and melody. For Sleep Drive, ant'lrd tackles the inherent physicality of arcing drones and bone-rattling low end.
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Braeyden Jae is an Seoul, Korea-based musician creating ambient music of great weight and movement. Recontextualizing the bass guitar to create oceanic swells of eliding sound awash in obscured inputs and sanded outputs.
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